If you’ve a true obsessive love for Louboutin shoes, then the new Air Chance in multi colors won’t disappoint you. Because monsieur Louboutin has put his best practice into action; his expertise in designing feminine pumps with mixed materials is flawless and this shoe is the evidence.

Wear them to boost the attitude that’s hidden inside of you, at the end, that’s the reason for buying a pair of loubies right? And Christian Louboutin would love to see your attitude change just because you wear a pair of pumps that has red soles.

Take a look at the clever cut-outs, showing just the right amount of skin. They will coordinate to your feet, making them comfortable to walk on and beautiful enough to flaunt. If you are looking for something to stand-out this season, you won’t need to look anymore further. For $ 1,145 from the Spring Summer 2014 Collection at Christian Louboutin.

The clock began. In six months an Oscar-winning actress will look under her table at the Polo Lounge and say, “Those are great shoes” Louis Vuitton was in the shoe business for just 20 years. To augment its shoe manufacturing, the company bought a little family shoe workshop in 2001, four years into Marc Jacobs’s tenure as creative director. It is at Fiesso d’Artico, 20 miles outside Venice, in Italy’s Veneto region, which will be known for shoemaking.Michael Burke, chairman and CEO of Louis Vuitton, clarifies the reason behind its very French company’s finding its production facilities here. “Veneto is the cradle of shoemaking manufacture and skills,” he says. “In Veneto we’ve discovered everything we want: model engineers, designers, craftsmanship comprehension, and creativity. This is the headquarters for sneakers.” The very first Vuitton shoe collections were little, largely shoes for runway shows and capsule collections of classic men’s loafers and women’s pumps. In 2009, four decades before Nicolas Ghesquière would replace Jacobs, this larger, 150,000-square-foot, advanced centre was constructed nearby, and the company had a new–and steep–mandate: Shoes are to be as significant as Vuitton’s storied trunks, initially produced in 1858. After Justin picked an ostrich-skin wing tip, the arrangement arrived where both made-to-measure and ready-to-wear sneakers are crafted. The center, a gray concrete box, looks far more like a contemporary art museum than a shoemaking factory. Really, right away from the entry is Jean-Jacques Ory’s seven-foot-tall, white-lacquered high heel with an insole depicting Botticelli’s Venus. Inside–past a gallery using a wall of Warhol’s shoe examples and an installment spotlighting fantastical, furniture-like high-heeled inventions from Ghesquière; round the centre courtyard with a reflecting pool and sunglassed French designers talking Italian while smoking Marlboro Lights; and down a hallway past the women’s division–sits a man in a single corner of a large mill floor. While the remainder of the hangar-like space is more automatic, with employees and machines which makes ready-to-wear sneakers, sneakers, and moccasins, this tranquil corner, with a workbench and exotic skins, is devoted to made-to-measure.